Zora (Linyi) Pang, Book of 人 (ren，person); Book of 土 (tu，land), 2018 In 2018 exhibition Balawan: The story continues at ANU School of Art...

Last winter of the southern hemisphere, I travelled to Canberra, fell in love with this peaceful and natural bush capital, and decided to...

It is problematic to simply argue that “indigenous craft” is art. We need to go beyond postcolonialism in curating the "colonised". To...

This is a reflective note for 2018 Environment Studio Balawan Elective originally published on ANU website for 2018 Reconciliation week:...

Chinese characters have widely been used as a medium to express the specific cultural identity of many international contemporary Chinese...

To merely include "craft" as "art" is a common but problematic practice in art academies. The key issue lies in this question: Why do we...